On the occasion of the launch of our last game, Improv Dualism, we asked with an Instagram poll what improv patchwork means for you. In the replies, many definitions expressed positive feelings we recognized ourselves with. As the word cloud created with your responses shows, the most used word was freedom!
Our views on improv have changed during time, also thanks to the experience shared with you. Our recent thoughts are collected here.
Carla says: “After many years as a traditional quilter I became an improv quilter. This means for me to feel free. I love to start with an idea, to choose colors and then the shapes. I agree with people that say that our works evolve… with our mind. It doesn’t care how we go on or what tools we use… improv means that all the possibilities to change are open till the end. It doesn’t mean we don’t know where we are going. On the contrary, we check our work every now and then, searching for consistency, and we keep ourselves ready to change things (even if they are almost fully done) if we are not satisfied yet. What we care most about is that people understand that improv doesn’t mean work made in a hurry or carelessly: it’s the opposite! It is a free process full of hard steps. I’m proud to define myself as an Improv quilter.”
Giovanna adds: “I believe that the improv, born from the desire for freedom and to get out of the traditional schemes (no rules, no rulers, shapes that are not necessarily precise, etc.) has become, over time, a way to express and experiment with one’s personal creativity, and has therefore been divided into several styles which, at the moment, do not have precise definitions. Thus, the improv has become a large container with a thousand variations. What do they have in common? I believe that the fundamental thing for a quilt to be considered improv is the “way” in which it is made. It is a process made up of decisions taken gradually, along a path that takes various directions before reaching the end. An “on the go” quilt construction.
Of secondary importance and entirely personal, for me, are the decisions about which tools to use, whether to work with or without intention, whether to establish limits or rules, whether to follow design principles. What we see in the hashtag #improvquilting are many different types of quilts. Sometimes attributable to styles created by well-known artists in the sector but most often the result of experiments by individual quilters who are creating or trying to find their personal improv style. An interesting style in continuous movement and evolution!
Paola concludes as follows: “Improv goes well beyond simply noticing the presence of wonky shapes. I believe that improv is a distributed design compositional technique, allowing emergence and transformation more than other compositional “ab initio” creative methods. It is not easy to stick to an improvisational experience during the whole process (for example, if one starts to follow intermediate photos up to finalizing execution adherent to such photos). I feel that there are still many ways to talk of improv, so that it’s difficult to put it into one word. My preferred practice (as promoted also by @quiltimprovstudio) is to consider improv an opportunity for continuous design practice (each gesture, a mini design act), to learn how the eye responds to experimented effects, for horizontal sharing. Creativity can be harnessed in specific modes, with its own dignity, different from other creative procedures. Jazz music earned distinction for its improvisational moments, ritualized in solo steps rotated among musicians in the band, if not going up to collective improvisation. I hope that our discussion and games keep the improv definition open, alive and kicking!”
You can join the game Improv Dualism at any time, until the deadline for quilt completion of July 2nd. In the meanwhile, you can follow the progress of game participants looking at the hashtag #qisdualism and, to find your reason to try, you can pick your preferred definition of improv among the ones expressed by our game participants:
- no rules or rulers
- the adventure
- design on the fly
- to do what you want
- …be surprised with the result
- playing with a set scheme
- letting the moment guide the decision
- using small scraps
- endless options to choose from
- freedom to play
- the happy accidents!
- to be surprised with the result
- …making it up as I go
- …nobody can say it’s wrong
- endless options to choose from…
- getting lost in creating
- no stress
- the unexpectedness of the process
- to explore and try new ideas
- the anticipation… see it evolve
- the concentration
- cutting without measuring
- mixing and combining shapes
- not knowing where it’ll end up
- it makes me feel creative
- I can use what I have
- you can follow your intuition
Last week we had the opportunity to visit the European Patchwork Meeting (EPM) in France, we want to tell you something about this incredible experience!
Let’s see together the most relevant aspects of this event:
OLD AND NEW FRIENDS
It was a great occasion to meet Quilt Improv studio’s friends and to know new people from around the world. We could see in person Maria Paz Avalos, a participant of our games from Chile, and to see her quilts made for Chile Quilting exhibit! It was a pleasure to meet her after two years of social media contacts.
We rejoiced with Mattea Jurin when her work “Big girls don’t cry”, selected for the EPM international challenge Once Upon a Thread, was announced to have won a prize and a blue ribbon during the award ceremony!
We shared fun and shopping time with Pamela Nensi, another quilter who participated to Quilt Improv Studio games in the past, and we selected some nice gifts for our friend Carla @falcolupo! We met many other people we knew, while walking between exhibits.
We met Cecilia Koppmann, an outstanding Argentine author of quilts made with colors typical of her culture: an incredible use of black combined with bright and intense colors, and with expressive variations of value!
We had a lovely chat with Carolina Oneto, talking about our common love for solids and discussing strategies to fill our stash with several types of colored fabric.
We could admire the real colors of quilts we saw only in books or on the web, such as the improv works by Cindy Grisdela, and we expressed her our admiration for her amazing free motion quilting skill!
More than 30 exhibitions of international artists, more than 1000 works of art, you can find traditional, contemporary, modern, improvised art, fiber art or whatever can be made with fabrics and thread, and you sure find something that you love.
We, Giovanna and Paola, being SAQA members, volunteered welcoming guests at the Wide Horizons stand, since we had two quilts made by us in the show. This was a wonderful opportunity to talk about techniques and quilts in the show with visitors from several countries, such that we often had to switch language, rehearsing quilting terms used in different idioms.
Only few words to describe this French region: it seems to live in a dream, surrounded by fairy tale houses made of gingerbread!
This has been a new and eye-opening experience. Now we are full of ideas for our next improv projects. We hope that such events are inspiring also for you!